Category: Notes

Unreliable Narrators

Every source of information you get about this story is unreliable. This includes the things I say, to a degree; I don’t lie about the contents of the story, but there are plenty of things I omit, particularly spoilers about future story events or the hidden significance of some of the elements in the story and characters. I’m not likely to point things like that out in the comments, because the story is written from Kyoko’s perspective and I tend to limit some kinds of information to things she knows.

So, I’m unreliable. The information within the story is even more so. Every character has their own biases and agendas. Everyone has blind spots. Many people are either actively misinformed, reaching wrong conclusions, or simply lying. Kyoko’s narration is not an exception, and that the story is purely conveyed in that narration impacts what shows up in numerous ways. One of the major things I hope to do with things like interludes, in-universe documents, and extended notes is provide other perspectives, other elements of the story, characters, and world.…

Interludes

Interlude chapters are shorter pieces that I place between books. Some actually take place during the books, but I set them aside because I feel that interrupting the flow of the narration is more disruptive than it’s worth, particularly when the intention is that the story is fully intelligible without them. There are two basic types: Interludes, which are narrative stories, and documents, which are in-universe documents of various kinds. Both are optional, but they provide potentially valuable context for the books.

The reason for interludes is pretty straightforward. This story is written entirely in first-person limited perspective. That is to say, all of the narration is from Kyoko’s perspective, written in first person, and written with no additional knowledge beyond what she knows in the moment being described. One of the greatest strengths of this style, and the reason I prefer it, is that it allows the voice of that character to show through very strongly. Everything is seen from her perspective, which also showcases how her perspective works—what she prioritizes and pays attention to, what she ignores, the cognitive links she’s making. But this is also probably the single biggest weakness of this perspective, because Kyoko’s perception is not complete. There are events she’s not present for, and even when she is present, she isn’t going to see everything. There are details she doesn’t notice or doesn’t pay attention to, contextual meaning she isn’t aware of, assessment and interpretation she might get wrong, bias she introduces. This makes it feel real, but it does mean the reader isn’t seeing everything. Hence, there are side chapters which are meant to provide context and other perspectives.…

Oaths, Debts, and Favors

Several characters now have mentioned things like oaths, debts, and favors. These things have an enormous degree of weight assigned to them in this setting. Given that these things are so significant, there will be plenty more about them later on in the story. A lot of things, notably including why all this is the case, will not be explained in this note. But that still leaves plenty of room to explore things which Kyoko knows, which are common knowledge in this setting, but which will generally not be exposition in the story itself.…

Language Use

The narration mentions in places that Kyoko draws conclusions about someone based on their presentation and particularly on their use of language. This has shown up a few times now, and with Cassie the narration also observes how the way she presents herself has shifted. So why do different characters use language the way they do? It’s not the same pattern for everyone, not at all, and the differences are significant, even when they’re subtle.…

Kyoko’s Arsenal

People in this setting have and use a wide variety of weapons. I think now is a good time to start breaking down what they are and why, since it’s now apparent what more of them are. There will be more on this in the future, as a broader perspective develops on how people in this setting fight. But this is a good time to start.

Beginning with Kyoko, we can for the moment set aside Thorn; there are a lot more things to say about that sword than would fit here, and it also doesn’t say that much about her given she didn’t exactly pick out what it looks like or how it works. But as was already apparent, when she visited her armory earlier, Kyoko has a whole lot of weapons for someone who hasn’t gotten in fights much. Many of them have never been used. Why?…

Magical Mechanics

Magic in this setting obeys a lot of rules, and they aren’t all obvious at a glance. Since the mechanisms and effects are starting to come up in more depth, I thought I’d talk about that, because they very much do matter. And they actually have more in common than you might think with theoretical physics in the real world. This is going to be a particularly lengthy discussion, and while it may come up over the course of the story, including it directly in the narration would be quite a bit of needlessly-technical exposition. So, while it might be an interesting example of how I think about the setting, it’s not necessary information to understand the story. That said, here are the basic rules about how magic works and where its limits are.…