Interludes
Interlude chapters are shorter pieces that I place between books. Some actually take place during the books, but I set them aside because I feel that interrupting the flow of the narration is more disruptive than it’s worth, particularly when the intention is that the story is fully intelligible without them. There are two basic types: Interludes, which are narrative stories, and documents, which are in-universe documents of various kinds. Both are optional, but they provide potentially valuable context for the books.
The reason for interludes is pretty straightforward. This story is written entirely in first-person limited perspective. That is to say, all of the narration is from Kyoko’s perspective, written in first person, and written with no additional knowledge beyond what she knows in the moment being described. One of the greatest strengths of this style, and the reason I prefer it, is that it allows the voice of that character to show through very strongly. Everything is seen from her perspective, which also showcases how her perspective works—what she prioritizes and pays attention to, what she ignores, the cognitive links she’s making. But this is also probably the single biggest weakness of this perspective, because Kyoko’s perception is not complete. There are events she’s not present for, and even when she is present, she isn’t going to see everything. There are details she doesn’t notice or doesn’t pay attention to, contextual meaning she isn’t aware of, assessment and interpretation she might get wrong, bias she introduces. This makes it feel real, but it does mean the reader isn’t seeing everything. Hence, there are side chapters which are meant to provide context and other perspectives.…